LONG STORY SHORT
a Magazine for Writers
POEM OF THE MONTH

I Miss Her Most in Winter
By Russell Bittner


I missed her first in summer, when the rain redressed the moon,
and the stars arrived in white coats at her doorstep;
I missed her even more, when the earth began to swoon,
and the darkness ridiculed her swift abduction.



I missed her once again, when the sun could only cower,
when her Swedish sun dipped down below horizon;
I missed her even more, when the fall turned sun to shower,
and my sea commenced to swell in cold abandon.



I missed her often, too, when the snows of night subsided,
and my trees in their reprieve stood out like top hats;
I missed her even more, when her Northern Lights collided,
and the stars fell back to earth like powdered sugar.



But I miss her most of all, when late winter’s winds recall
how once we’d lie beneath her covers in Elysium;
though our lie is underscored, when that once grave moon of fall limns only
this – our former love – turned mausoleum.



Appearances
© By Gloria Pimentel

Clay doll
took form
under his expert hands

Life still
glass eyes
Mona Lisa smile

He gave her
breath of life
called her daughter

Elegantly dressed
traveled  miles
to meet destiny

One day
doll maker
felt her anguish

Calling
to his heart
questioning existence

He walked
into the fire, let it
consume his outer shell

as his creator did
before, unable to explain
purpose of existence beyond

someone else’s dream.

A BOX OF APPLES
By Joanna M. Weston

He steers the tractor one-handed
the other on a box of apples
warm under his hand

I wave, he smiles
lips red within his beard
teeth crooked, white

An hour later, the same tractor -
driver behind a round bale
forked high before him

He had exchanged fruit for winter feed
so I trade two waves
for a slice of country life

A smile lifts over hay
and we go separately
between orchards



LEISURELY
By Joanna M. Weston

sunlight strokes afternoon
to a somnolent purr

breezes fold grass
against fragrant soil

I curl against the pear tree
and eat fruit most sweet




JOANNA M. WESTON married,
3 sons.  Has had poetry, reviews, and short  stories published in anthologies and journals for twenty years. A middle-reader THE WILLOW-TREE GIRL in print, 2003.

THE WILLOW-TREE GIRL for
ages 7-11 print edition now
available:  ISBN 1-55352-073-4
http://www.islandnet.com/~weston/

Contact Joanna.



                                                                         


Zephyr
BY Liz Fortini

I dip over a white-washed shore
and gather a spray of time
for you. The high tide rolls
in the sound and gives up
the crisp winter crackle
of tomorrow.  As waves recede,
I buffet your heart to ask
which moments you choose.
An arctic tern moves on,
the weeping willow
has forgiven his single tear.
What sand remains is now
clean and the day reveals a bar
in the channel.  Plume thistles
grow on the headland, you
wonder what is beyond them.



Dearest
BY  Liz Fortini


Care, devotion, these feelings of motherhood
I feel when I’m alone in your bedroom,
I imagine light blue walls and a hanging mobile,
a crib, white, with a pink and yellow coverlet
to tuck you in, a calico pillow light and downy
to cushion your exquisite head.

One day the stork appeared in our window
and you, Caroline, were born at the end of March.
Tiny, with black fuzz capping your forehead,
brown eyes like mine, we wrapped you darling
baby in a blanket wearing knitted booties, gave
you a beautiful room complete with a fairy
to watch over as we tucked you in.

I remember that yesterday well.  You are
now twelve and the echo of nursery rhymes
is dim.  The crib has gone to distant cousins
and the mobile has been taken down.  The guardian
fairy has given my beautiful girl wings to fly
with, to grow even taller, dare more and…

you’ll stumble dearest, and I won’t be there
to break your fall.  My devotion will remain
strong when you hide old love letters, store
stuffed animals in boxes, pull on those gossamer
threads the fairy wove.  My heart will ache when
you’re gone and I’m alone in your bedroom,
I imagine light blue walls and a hanging mobile.



Liz Fortini composes poetry in English and subsequently into Italian and French.  She translates noted Italian and French poets as well as German poet Rainer Rilke into English.  Poems and translations of hers have appeared in RB Viewpoint, Blue Unicorn and anthologies.  She is publisher of www.languageandculture.net, on-linepoetry publication.   Liz Fortini
 
Awful Splendor
By Carolyn Howard-Johnson


My screen is seldom used.
I wipe away a frail skin,
dust, residual surface calm.
“I don’t watch TV,” I say, “but...”
I search unfamiliar contours
to find the power icon. Click.
The dark panel flickers.
A flame coils from the desert,
floor, a tornado from Hades,
desert dancers costumed
in orange-hot veils.
I stand in trepidation,
do not turn up the sound.
A mute portrait, framed. An image
on a museum wall seen by
night’s camera-eyes as green
fluorescent bursts against a
sky the color of Wedgwood’s
Portland blue. A triptych
appears. Here, a camouflage palette
the colors of geckos skittering
over the sand. There, a Turner
landscape, hazy as if seen through
early morning vapor. And look!
There mauve clouds pulse.
Siroccos blow a purple pall
across the horizon, soundless winds
smear the scene, disguise
it with a mask of splendor.

-------------

Carolyn Howard-Johnson's new chapbook
called Tracings will be published by http://finishinglinepress.com/ this fall. She
is an award-winning author of This is the Place, Harkening and The Frugal Book Promoter.


Myth of  Love
by  Marie Delgado Travis

Your  love, gift of the gods,
unchains my Prometheus.
Like  Sisyphus, it carries my burden.
It catapults Icarus beyond my stars.
I am forged Phoenix in
your burning coals.
You guide my lost Ulysses.
And even Narcissus,
contemplating your reflection
in the water,
weeps when he sees
how much you love me.


Cursed with Ambition
By Patricia Wellingham-Jones

The cats lounge
like fur-bound lizards
on windowsill and bench
in my kitchen
and overlook the creek
Placid as drowsing reptiles
until a hummingbird passes
They make humming
noises in their throats
Think about leaping
yet remain stretched
full length in the summer heat
At ease
eyelids blink over glazed eyes
The cats don’t seem to be cursed
with human ambition
They take what’s offered
or don’t bother at all
and seldom get tense
I often think I’d like to be
one of the cats



Musk
By Patricia Wellingham-Jones

Cousin Linda brushes past, reaches
for her first cup of coffee.
My nose catches
the changed flavor of air. I ask
what she’s wearing today.
Musk, she says, smile coy
around the edges.

My mind bounces
from image to image:

  Pulling open the sealed page
  of a glossy magazine, the rush of perfume
  that floods the room,

     An ad with sleek woman stretched
     almost-clad on a leopard skin,

         A tall man in jeans and leather vest
         standing, legs spread, by a Jeep.

What I cannot picture is this sturdy woman
in her fifties, hair brown from a bottle,
her talk full of life on a Virginia farm.

I realize, with a smile at myself,
this is the perfect musk-woman—
one who handles animals
husky and dying, hunted and cleaned
for the pot, works with smells
of barnyard and birthing room,

the essence of musk.



Orthotics
By Patricia Wellingham-Jones

I listen to the young man’s spiel,
slip off my sling-backs,
place one nyloned foot
on his carbon paper. Then the other.

We ponder the dark smudges,
faint rims, overall pattern.

From the back of the store he returns
with a box of plastic forms, rubber
foot-shaped mats, New Zealand chunky shoes.

I try things on, step here and there,
press hands against hands to show balance,
plod around the store in broad-toed
black shoes with strange high arches.

I picture x-rays showing bone worn away,
cartilage missing, yesterday’s walk full of pain.
In the end I choose comfort
over vanity.

END


Ode to Toilets
By Matthew Johnson

Toilets flush,
The water goes around,
Wastes disappear,
Else they overflow—
The plunge of the day,
Never forget to drop the lid,
Or there’ll be hell to pay.

That porcelain throne,
That conqueror’s chair,
For the lady to sit on—
It must smell of spring roses
And handle with care,
Or the lady will not be pleased,
It must recline like an easy chair.

The Japanese knew of this,
When they patented the throne
That makes toilets blush—
Its closet of crystal waters,
That no brave man would swim,
Those foul-smelling angels,
Singing their crystal hymn.

It flushes with jet-engine force,
Cleansing your backside,
No more need to kill trees,
A trip saved to the store,
A refreshing ending,
To a sit on the pot,
Me so sorry,
Mr. Scott.

Matthew Johnson hails from the little-known town of Millersville, MD.  He is a journalism major at UMD.  He is also a member of the Jimenez-Porter Writers' House at UMD. (U of Maryland at Colleg Park) He has written poetry since he can remember and was first published in the 8th grade.  His inspiration comes from God, society, and boredom. Contact Matthew.

The Race
By Diane Dahlstrom

Running in the park
Pacing one step ahead of me
Your wavy blonde hair
Defies gravity.
Every few yards,
Your taunting glance
Rolls off your shoulder
Tangles my pants.
I siphon my energy
Into a single blast.
My legs shoot forth
Pounding faster than fast.
My toe strikes a pebble
Peeping out of the trail
Catapulting my stride.
My balance fails.
My yelps freeze your gait.
You eye my descent.
My pride and my hands
Melt into pavement.
You leap to the rescue
By licking my face.
My golden retriever
Applying first aid.

(Dedicated to my aging buddy, Dallas)


I’ve always wanted to write yet always found an excuse to put it off.  A few years ago I decided go for it.  I took a writing class through Longridge Writers Group where I was taught the basics of short story writing.  I began attending their live online forums run by their web editor, the wonderful instructor/author Mary Rosenblum and recently joined a great critique group.   I write poetry, short stories, and hope to start writing my first novel before the 2005 ends.
Diane Dahlstrom


Your search
By Russell Bittner


The tides rise up and clamor for your coastline.
Your fortune’s lost its clear liquidity.
The lovers you have crippled all have specters,
and ghosts possess uncanny memory.


You held too long to an image ill-begotten,
of hard-earned and repentant piety.
But now one loud-mouthed sun, one moon too precious,
announce, through smirks, your pilfered pedigree.


Your field is still a place of friendly fire.
It’s time to stir the weeds for enemy –
for one who’s read the rules of the Convention,
and knows to cut your heart out mercifully.


For all your noise and claims to high ambition,
it’s not your name we see on that marquee;
so take your time now strutting down the boardwalk,
the salt-air’s good for wounded vanity.


What’s left then is to find a real companion,
someone who knows from Skid Row-by-the-Sea,
who’ll lend to you his rounded bones as cushion,
and share with you the last of his good tea.


To find just one who knows life’s simple pleasures:
a wider bed; a mate of fair esprit;
a jug of wine that sometimes wants refilling;
and, yes – at end of day, fidelity.





Patricia Wellingham-Jones, a former psychology researcher and writer/editor, is a three-time Pushcart Prize nominee. Her work is published in numerous anthologies, journals, and Internet magazines, including Möbius, Red River Review, Rattlesnake Review, Phoebe, A Room of Her Own, Pebble Lake Review, Thunder Sandwich, Ibbetson Street Press and Niederngasse. Chapbooks include Don’t Turn Away: Poems About Breast Cancer (PWJ Publishing), Apple Blossoms at Eye Level (Poets Corner Press) and Voices on the Land (Rattlesnake Press). She has a 26-article series called “Getting Published” on A Long Story Short http://www.longstoryshort.us/ , has a monthly poetry column in East Valley Times and will be featured poet in that online journal and in Ink and Ashes (http://www.inkandashes.com/issue1/index.php) this summer. Patricia is also publisher of PWJ Publishing and edits and produces books by invitation. Her website is www.wellinghamjones.com.



Before Birdsong
By Carolyn Howard-Johnson


In the hills above LA
before the valley wakes.
steam swells, drifts
along a fire trail.
It lies silent against
the unrealized roll
of earth on its
illusory axis,
all the damp
that will ever go,
has ever gone
       before.

Another day.
               The same invisible treadmill
               dew-washed before, above,
               a moist shroud beneath,
               a cocoon, cool,
               gentle placenta.
                       Ahead hangs a silver dime,
               radiant, still,
               halo in the East.
               I am invested
               in the silence that came
               before engine-hum,
               crickets' buzz and birdsong.




Russell lives in Brooklyn, New York. His poems have been published on paper by: The American Dissident; The Blind Man’s Rainbow; The Lyric; The Barbaric Yawp; the International Journal of Erotica; and Wicked Hollow. An additional poem with appear in the International Journal of Erotica in the summer of 2005. On-line, his poetry can be found at: Quintessence-encouraging great writing; ken*again; Spillway Review; Erotica-readers; Edifice Wrecked; Ink-mag; Girls With Insurance; Thieves Jargon; Fireweed and Salome Magazine. An dditional poem will appear in June at Opium Magazine; in June, July, August, Sept. and Dec. at ALong Story Short; and in Sept. at Southern Hum. His prose can be found at: Satin Slippers; Ink-mag; GirlsWithInsurance; SkiveMagazine; Quintessence, encouraging great writing; Underground voices; Dead Mule; Pindeldyboz; Mannequin Envy; and the uncom.mon Yankee pot roast.org. Additional prose pieces will appear on paper in the Edgar Literary Magazine in April of 2005, and in The International Journal of Erotica in the summer. A third story will appear on the ‘Net at Southern Hum.com in September. Russell completed his first novel, 'Trompe-l’oeil,' in September of 2004. A second is underway.. Contact Russell.
FROM REMBRANDT'S WINDOW
By Patty Dickson Pieczka


Shuttered houses stand
knee-deep in exhaust.
Blades of a windmill move
in the distance.
Canal water swirls as women
dangle their legs from a boat
like butterflies tasting
nectar with their feet.

Beside the window
hangs a view
of the scene through
four-hundred-year-old eyes.
The homes have vanished.
Butterflies have flown.
All that remains are the creak
of the windmill
and the scent of green.
Behind the casement,
Rembrandt's ghost
studies the landscape
in solid flesh.

Patty Dickson Pieczka's chapbook, Word Paintings, was published in 2003 and her poems appear in several journals, including The Bitter Oleander, Blue Unicorn, California Quarterly, Cape Rock, Eureka Literary Magazine, Green Hills Literary Lantern, Halogen,Karamu, The Listening Eye, Midamerica Poetry Review, Rambunctious Review, Red Rock Review, Red Wheelbarroa, Sierra Nevada College Review, and Willow Review among others. Contact Patty. Contact Patty.
Epiphany
by Marie Delgado Travis

I  opened my window
to  grab onto
your  star,
never  realizing
that it was fleeting.

I fell to the void ...

But just as I neared
the  bottom of my
desperation,

I understood ...

that I can fly
in  the memory
of  your light.

MARIE DELGADO TRAVIS is proud
of her Nuyorican roots.  She writes
poetry and prose in English and
Spanish.  Her poem "Bijoux" was
named "Poem of the Month" by the
editors of www.longstoryshort.us
(April 2005).  She won Honorable
Mention in a translation contest
sponsored by
www.languageandculture.net and is
currently a Finalist in the Tom
Howard Short Story Contest,
www.tomhoward.info/.

Two of her pieces are scheduled to
appear in a mass market anthol-
ogy, CHICKEN SOUP FOR THE
LATINO SOUL (August 2005). 
She also writes a monthly travel
column, PENNY POSTCARDS, for http://www.penwomanship.com/.
Marie and her husband, Edmunds,
a retired attorney, have homes in
Houston, TX and Isla Verde, PR. 
Her personal web site is:
Marie DelgadoTravis

Contact Marie.